Original language | English (US) |
---|---|
Pages (from-to) | 75-92 |
Number of pages | 18 |
Journal | The Moving Image |
Volume | 19 |
Issue number | 1 |
DOIs | |
State | Published - Mar 1 2019 |
All Science Journal Classification (ASJC) codes
- Conservation
- Visual Arts and Performing Arts
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“Pagan Constellations in the Sky” : (Re)Animating Muybridge in the Film History Classroom. / Williamson, Colin.
In: The Moving Image, Vol. 19, No. 1, 01.03.2019, p. 75-92.Research output: Contribution to journal › Article › peer-review
TY - JOUR
T1 - “Pagan Constellations in the Sky”
T2 - (Re)Animating Muybridge in the Film History Classroom
AU - Williamson, Colin
N1 - Funding Information: I am very grateful to Alice Lovejoy for including me in this special issue and for an anonymous reviewer’s feedback on a draft of this article. I am also indebted to my collaborator, Jacob Rivkin, and the students in my spring 2018 seminar Creative Projects in Film History for contributing such outstanding work to this project. My research and an early draft of this article were supported by a fellowship at the University of Pennsylvania’s Wolf Humanities Center. For that opportunity and the feedback that I received there, I thank Emily Wilson, Jim English, and the fellows who participated in the 2017–18 “Afterlives” seminar. A version of this article was presented at the fifteenth international Domitor Conference, “Provenance,” held at the George Eastman Museum in Rochester, New York, June 13–16, 2018. Funding Information: Colin Williamson is an assistant professor of American studies and cinema studies at Rutgers University—New Brunswick. He also serves on the executive committee of Domi-tor, the International Society for the Study of Early Cinema, and as a reviews editor for animation: an interdisciplinary journal (ANM). His research focuses on early film history, animation and special effects, science and the cinema, and film theory. He is the author of Hidden in Plain Sight: An Archaeology of Magic and the Cinema (2015) and has published articles and essays in such edited collections and journals as Thinking in the Dark: Cinema, Theory, Practice (2016), ANM, Leonardo, The Moving Image, and Film History. His research has been supported by fellowships and awards from the American Academy of Arts and Sciences, Harvard University, Rutgers University, and the University of Pennsylvania. He received his PhD in cinema and media studies from the University of Chicago.
PY - 2019/3/1
Y1 - 2019/3/1
UR - http://www.scopus.com/inward/record.url?scp=85084310059&partnerID=8YFLogxK
UR - http://www.scopus.com/inward/citedby.url?scp=85084310059&partnerID=8YFLogxK
U2 - 10.5749/movingimage.19.1.0075
DO - 10.5749/movingimage.19.1.0075
M3 - Article
AN - SCOPUS:85084310059
VL - 19
SP - 75
EP - 92
JO - Moving Image
JF - Moving Image
SN - 1532-3978
IS - 1
ER -