TY - JOUR
T1 - Song Ci (1186-1249), “father of world legal medicine”
T2 - History, science, and forensic culture in contemporary China
AU - Asen, Daniel
N1 - Publisher Copyright:
© 2017 Ministry of Science and Technology, Taiwan.
PY - 2017/6
Y1 - 2017/6
N2 - Song Ci (1186-1249) was an official of the Southern Song Dynasty best known for authoring the Collected Writings on the Washing Away of Wrongs (Xiyuan jilu), a work often hailed as the world’s first systematic treatise on forensic medicine. While biographical details about his life were known in local history writings during the late imperial period, Song had garnered relatively little attention among those who handled forensic examinations, despite the fact that his work had impacted Chinese forensic practices for centuries. In modern times, by contrast, Song has been praised by historians and forensic professionals and viewed as a founding figure of the modern forensic sciences in China and, in the boldest claims, across the globe. Song has also become the subject of historical novels, television shows, and other popular media. This article examines the ways in which the historical image and meanings of Song Ci have been negotiated in China over the Republican period (1912-49) and after the founding of the People’s Republic of China in 1949. It argues that a confluence of modern developments—new concepts of national and world history, the successful implementation of legal medicine in China, and the global popularity of forensicsthemed popular culture—has given new meaning and importance to this thirteenthcentury figure under the new conditions of the twentieth and early twenty-first centuries.
AB - Song Ci (1186-1249) was an official of the Southern Song Dynasty best known for authoring the Collected Writings on the Washing Away of Wrongs (Xiyuan jilu), a work often hailed as the world’s first systematic treatise on forensic medicine. While biographical details about his life were known in local history writings during the late imperial period, Song had garnered relatively little attention among those who handled forensic examinations, despite the fact that his work had impacted Chinese forensic practices for centuries. In modern times, by contrast, Song has been praised by historians and forensic professionals and viewed as a founding figure of the modern forensic sciences in China and, in the boldest claims, across the globe. Song has also become the subject of historical novels, television shows, and other popular media. This article examines the ways in which the historical image and meanings of Song Ci have been negotiated in China over the Republican period (1912-49) and after the founding of the People’s Republic of China in 1949. It argues that a confluence of modern developments—new concepts of national and world history, the successful implementation of legal medicine in China, and the global popularity of forensicsthemed popular culture—has given new meaning and importance to this thirteenthcentury figure under the new conditions of the twentieth and early twenty-first centuries.
KW - Forensic culture
KW - Forensic science
KW - Historiography
KW - Legal medicine
KW - Popular science
KW - Song Ci
KW - Song Daren
KW - Xiyuan jilu
UR - http://www.scopus.com/inward/record.url?scp=85018294298&partnerID=8YFLogxK
UR - http://www.scopus.com/inward/citedby.url?scp=85018294298&partnerID=8YFLogxK
U2 - 10.1215/18752160-3812294
DO - 10.1215/18752160-3812294
M3 - Article
AN - SCOPUS:85018294298
SN - 1875-2160
VL - 11
SP - 185
EP - 207
JO - East Asian Science, Technology and Society
JF - East Asian Science, Technology and Society
IS - 2
ER -