TY - JOUR
T1 - The use of museum specimens with high-throughput DNA sequencers
AU - Burrell, Andrew S.
AU - Disotell, Todd R.
AU - Bergey, Christina M.
N1 - Funding Information:
We would like to thank Clifford Jolly for permission to sample the preserved baboon hide. We also thank Sarah Haueisen for help with the preparation of the RAD-Seq library. This project was funded by an NYU Research Challenge Fund grant and a Leakey Foundation grant to T. Disotell and A. Burrell. DNA sequencing was conducted at the NYU Langone Medical Center's Genome Technology Center supported by Cancer Center Support Grant P30CA016087 from the Laura and Isaac Perlmutter Cancer Center . We thank Jason Hodgson for suggesting we write this review, George Perry for helpful comments on drafts of this manuscript, and the valuable insights of the anonymous reviewers.
Publisher Copyright:
© 2014 Elsevier Ltd.
PY - 2015/2/1
Y1 - 2015/2/1
N2 - Natural history collections have long been used by morphologists, anatomists, and taxonomists to probe the evolutionary process and describe biological diversity. These biological archives also offer great opportunities for genetic research in taxonomy, conservation, systematics, and population biology. They allow assays of past populations, including those of extinct species, giving context to present patterns of genetic variation and direct measures of evolutionary processes. Despite this potential, museum specimens are difficult to work with because natural postmortem processes and preservation methods fragment and damage DNA. These problems have restricted geneticists' ability to use natural history collections primarily by limiting how much of the genome can be surveyed. Recent advances in DNA sequencing technology, however, have radically changed this, making truly genomic studies from museum specimens possible. We review the opportunities and drawbacks of the use of museum specimens, and suggest how to best execute projects when incorporating such samples. Several high-throughput (HT) sequencing methodologies, including whole genome shotgun sequencing, sequence capture, and restriction digests (demonstrated here), can be used with archived biomaterials.
AB - Natural history collections have long been used by morphologists, anatomists, and taxonomists to probe the evolutionary process and describe biological diversity. These biological archives also offer great opportunities for genetic research in taxonomy, conservation, systematics, and population biology. They allow assays of past populations, including those of extinct species, giving context to present patterns of genetic variation and direct measures of evolutionary processes. Despite this potential, museum specimens are difficult to work with because natural postmortem processes and preservation methods fragment and damage DNA. These problems have restricted geneticists' ability to use natural history collections primarily by limiting how much of the genome can be surveyed. Recent advances in DNA sequencing technology, however, have radically changed this, making truly genomic studies from museum specimens possible. We review the opportunities and drawbacks of the use of museum specimens, and suggest how to best execute projects when incorporating such samples. Several high-throughput (HT) sequencing methodologies, including whole genome shotgun sequencing, sequence capture, and restriction digests (demonstrated here), can be used with archived biomaterials.
KW - Ancient DNA
KW - Population genomics
KW - Restriction-site associated DNA sequencing (RAD-Seq)
KW - Sequence capture
KW - Whole genome shotgun sequencing
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U2 - 10.1016/j.jhevol.2014.10.015
DO - 10.1016/j.jhevol.2014.10.015
M3 - Article
C2 - 25532801
AN - SCOPUS:84921807616
SN - 0047-2484
VL - 79
SP - 35
EP - 44
JO - Journal of Human Evolution
JF - Journal of Human Evolution
ER -