TY - CHAP
T1 - 'Theatricality' in Tapestries and Mystery Plays and its Afterlife in Painting
AU - Weigert, Laura
PY - 2011/4/20
Y1 - 2011/4/20
KW - 'Theatricality' in tapestries - and mystery plays, and its afterlife in painting
KW - 'Vengeance' performance in Mons - and tapestries in Tournai and New York, fluidity between spaces of actors and spectators of the play
KW - 'alterity of medieval religious drama' - Rainer Warning's term, lacking designated fixed boundaries, circumscribing traditional modern theatre
KW - Historical moments, of pictures and plays - representational mode engaging audiences
KW - Hubert Cailleau's drawing, key sites - Passion plays, God's domain in heaven vying with limbo and an enormous hell mouth
KW - Image types, experiences of a mystery play - not a preoccupation of scholars
KW - Reception, focus of Pamela Sheingorn and Robert Clark's work - mystery play scripts as 'performative'
KW - Reims paintings, a vision of a 'Vengeance' play - impossibility in actual performance
KW - The Parliament of Paris's support - protection of the Confraternity of the Passion, controlling religious drama performance
KW - Visual and affective resemblance - between two media, the 'Vengeance of our Lord', the 'Vengeance of Jesus Christ', or the 'Vengeance'
UR - http://www.scopus.com/inward/record.url?scp=84887103144&partnerID=8YFLogxK
UR - http://www.scopus.com/inward/citedby.url?scp=84887103144&partnerID=8YFLogxK
U2 - 10.1002/9781444396744.ch2
DO - 10.1002/9781444396744.ch2
M3 - Chapter
AN - SCOPUS:84887103144
SN - 9781444339024
SP - 24
EP - 35
BT - Theatricality in Early Modern Art and Architecture
PB - Wiley-Blackwell
ER -